If you live in Romania: for orders please use the shopping cart or write to firstname.lastname@example.org or call 0722156408, 0212600125.
If you live outside Romania: the printed edition of this book is also on sale at Amazon. It can be reached via these links:
For USA readers:
For readers in Germany and Switzerland:
For readers in Australia:
For readers in Japan:
For readers in India:
For readers in Spain:
For readers in Italy:
For readers in the UK:
For readers in France:
For readers in Canada:
For readers in Brazil:
The iBookSquare.ro digital edition of this book can be downloaded from here:
The Google Play / Google Books digital edition can be downloaded from here:
The Kindle edition of this book can be ordered via this link:
The preferential use of “geometric” markings in prehistoric art raises an essential question: is it possible that some ornaments may have had primordial symbolic meanings, which have been lost over the millennia, the motifs retaining only the decorative purpose?
Trying to answer the question, the first part of the paper brings to the attention of the reader three generic compositions called the rhombic configuration, the spiral, and the inverted volute, identified in archaic markings of prehistoric art. The work shows how each archaic marking develops an early symbolic meaning built on the cosmic analogy, related to the standards of Paleolithic life, compatible with cultural-technological achievements of the time. By knowing them, we better understand the symbolic thinking of our ancestors; we better understand who we are.
The second part of the paper invites the reader willing to discover the esoteric sphere of the primordial, unknown myths, about supernatural entities from ancient times: the Egyptian goddesses Neith and Isis, the divine offspring Athena and Dionysus.
Overall, the paper brings to the attention of the reader a representative body of old and very old symbols—subsumed to the cosmic analogy—framed within a free hypothesis, without preconception, from a self-taught perspective.