Literature of Commitment in Matei Vișniec's Works

https://www.librariacoresi.ro/web/image/product.template/858/image_1920?unique=c1acffd
(0 review)

Autor: Mihaela Olimpia Paula Ghiț

35,00 lei 35.0 RON 35,00 lei

35,00 lei

    Această combinație nu există.

    Termeni și condiții:
        Garanție de rambursare în 30 de zile
        Cartea cu vicii ascunse se înlocuiește.
        Expediere: 2-7 zile lucrătoare

    Membrii Clubului de Carte Coresi beneficiază de condiții speciale (vezi aici)!

    Cititorii din România sunt rugați să comande cărțile fie folosind coșul de cumpărături, fie sunând la tel. 0722 156 408, 0731 382 889, fie prin e-mail: office@epublishers.info.

    Cititorii din străinătate sunt rugați să comande 
    cărțile noastre de pe următoarele site-uri:
    https://coresi-publishing-house.com/ (cu plata în dolari);
    https://www.LibrariaCoresi.com/ (cu plata în euro );
    https://epublishers.eu/ (cu plata în euro);
    https://amzn.to/3eYlG03
    https://amzn.to/3DoG6sE



    Coșul pentru cumpărături va fi folosit de cititorii din România.
    Cititorii din Diaspora sunt rugați sa comande cartea de pe situl Amazon corespunzător țării în care locuiesc sau de aici.

     

     AComing into prominence with an amazingly original work, Matei Vişniec is for sure one of the subtlest contemporary creators of satire, who, starting his literary activity in the ’80s, as many others, wants to attract the reader not only with his poetry and prose, but especially with his theatre. The latter becomes for the author an ongoing, unprecedented experiment, which skips any absolute classification.

    He was considered by literary criticism, poor up to now, a representative of post-modernism, of the absurd, of the pseudo-absurd, of the post-absurd, post-Beckett, post-Ionescu dramatist, post-Pirandello. This paper’s purpose is to demonstrate the original profile of a work that gives birth to ideas, doubts, questions, meditations about contemporary man and his existential problems. On the other hand, his work exposes, through original satirical formulas, what man became or is becoming.
    Centered on Man, Matei Vişniec reinterprets history, language, philosophy, literature, almost making a synthesis of space and time, his satire showing itself underneath multiple layers of meanings. The author himself reveals the starting point: “Of course. Although… You see, here there are more levels… of understanding… every level has a different rhythm, a different color, each… Step by step…”
    In his work, we can see influences from Franz Kafka, F. Dostoyevsky, Arghezi, Blaga, Edgar Allan Poe, Samuel Beckett, Caragiale, Jorge Luis Borges, Dante Alighieri, Ionescu, Lautréamont, Shakespeare etc., modern, post-modern, surrealistic, absurd, tragic elements. We can see the comic, the grotesque; we are amazed at the altered formulae of the language, at silence as way of communicating ideas… all this, wrapped in theatrical poetry marked by lucidity. This lucidity becomes the engine of his vast work and this aspect is the subject of my paper, because the satiric ego comes out this dimension and it marks every word, meaning, symbol, nothing at random, everything develops logically in a painful meditation on history, time, reality, culture, and language.
    Situated between cultures (he defines the dramaturgic space of the last decades in Romania, but in the same time he commands respect in the francophone area), modest, poet converted to theater and journalism, Matei Vişniec assimilates the exigencies of the western culture in very short time and converts his loyalty for poetry to loyalty for theater. (Mihaela Paula Olimpia Ghiţ)


    Do you love literature... and the world-level Romanian theater? Buy and read this book. Learn to truly appreciate our great contemporary playwright Matei Vişniec.